I was the only one on the project to begin with. I worked through around fourteen concept routes before landing on the one we kept, tried a few things, and wrote it up as a treatment. Then we shot it in two weeks, on a small budget, with colleagues standing in, a few paid actors, and friends around the city lending us their pitches and their time. The working hours were odd. After summer holiday I went straight into post. When the rest of the show needed me, we brought in freelancer Nikolaj Due to finish the edit.